Iran - is the real revolution in the streets or on people’s handsets?

June 23rd, 2009 by christo

Iranian protesters

At this stage it is hard to ascertain whether the protests in Iran will simply be crushed into silence (like Tiananmen Square) or whether this is the beginning of the end for the rule of the Islamic theocrats. One thing is certain; the protests have been marked by the flowering of the new social media and furious debates over the political effectiveness of the new media, in particular the micro-blogging platform, Twitter.

This is not to downplay the enormous international impact of the video footage of  the brutal repression in Iran; but to note that most of this footage was delivered to the world through Twitter messages or posting to social platforms like YouTube. Blogger Lisa Derrick in La Figa describes how she came upon the shocking video of the attack on the young female protester, Neda:

The global community has been galvanized by the tweets, Facebook logins, cellphone pictures and reports from Iran. Now comes this video of a young a woman shot in Tehran by Basiji police force, which I came across after seeing  "neda" and  "#neda" on Twitter, where the words kept showing up in in the Tehran and Iran threads. "Neda" means "call" or "proclamation" in Farsi, an odd and chilling coincidence.

Blogging seems to have emerged as a new mass medium in the chaos and questioning that followed the devastation of the World Trade Center in the 911 attack. in a similar way, Twitter, so mobile, so quick and so difficult for oppressive regimes to silence, has  exploded into world awareness with these Iranian uprisings.
However the actual effectiveness of Twitter as a political medium is very difficult to decide. The Economist, in a measured assessment of the situation declares that:

Meanwhile the much-ballyhooed Twitter swiftly degraded into pointlessness. By deluging threads like Iranelection with cries of support for the protesters, Americans and Britons rendered the site almost useless as a source of information—something that Iran’s government had tried and failed to do. Even at its best the site gave a partial, one-sided view of events.

The report also observes that "Both Twitter and YouTube are hobbled as sources of news by their clumsy search engines", betraying a journalist’s frustration with  these platforms as reliable sources of information. Yet, this is surely not the significance of these platforms which are primarily about connections, rather than information in the traditional journalistic sense. Twitter provided a real-time connection to the events as they were happening. This connection was what galvinised people around the world. What consequences this network of informal connections will have for the protests is the really interesting question. The Economist report suggests that the flurry of tweats fired off in support of the uprisings actually stymied the effective flow of information.  While from a more aggressively political perspective, the researchers, John Palfrey, Bruce Etling and Robert Faris argue in The Washington Post that

Twitter’s own internal architecture puts limits on political activism. There are so many messages streaming through at any moment that any single entry is unlikely to break through the din, and the limit of 140 characters — part of the service’s charm and the secret of its success — militates against sustained argument and nuance.

Death of a Barman

June 22nd, 2009 by christo

Sad news. Particularly to anyone who ever sipped a cocktail at the old Rosebank Hotel. Leon van Wyngaard, the perfectly poised barman who dispensed drinks and a discreetly sympathetic ear to his customers, is dead by his own hand. The Sunday Times reports that he hanged himself in the bathroom of his flat after failing to get reinstated at the ghastly new look Rosebank Hotel. He was retrenched two years ago when the new owners of the building began refurbishing the place. I, for one, will avoid the new Roseband Hotel like a plague after this news.

The central chapter of Ulysses, performed on Twitter

June 18th, 2009 by christo

Because this work is parasitic on an earlier literary form, I think it less interesting than the use of Twitter as a revolutionary new political tool in the aftermath of the rigged Iranian elections. The use of Web2.0 in a mass political uprising highlights how these communication forms elude existing systems of control, through a combination of existing Internet characteristics  (the elusiveness of packet-switching) with the instant mobility of the cellphone.  However Ian Bogost and Ian McCarthey have a refreshing approach to the challenge of putting Joyce’s Ulysses on the Twitter platform.  Bogost describes himself and McCarthey as "puppeting" the over 50 different characters in the central, Wandering Rocks chapter of the classic Modernist novel of Dublin.  This process involved creating Twitter profiles for all the characters; together with a Facebook group and then allowing wider participation.  Bogost summarises the technical approach to the tweeting of the chaper used in the first iteration of the text on Twitter in 2007:

We took Wandering Rocks and adapted it into a large series of 140-character or less utterances in the first person. We organized and timed these and built a database for them. We registered key characters in the novel as users on Twitter. For example:
STEPHENDEDALUS: I see Dilly’s high shoulders and shabby dress, shut the book quick, don’t let see

Then we wrote some software to automate the performance of Wandering Rocks on Twitter, so basically we just turn it on and it runs. The result, we hope, will offer both an interesting and unique perspective on the novel and on Twitter.

The results, as evidenced below, add extra levels of voices to the original Joyce fragments in a way that seems entirely appropriate for Joyce’s vision of capturing the complex interactions of the new city existence:

Rather surprisingly Bogost views Twitter as "one of the worst trends in the new internet culture". He goes on to accuse the platform of pretending " to allow people to "communicate" in new ways, a promise that mostly creates new obligation and infatuation to stay "up to date" and "connected." In the world of Twitter, you (and me, and everyone) pay constant, tiny homage to a new gimmickry.  The "up to date" and "connected" characteristics of Twitter are, of course, exactly why it is such a potent platform in the new form of political organisation that we start to see emerging in Iran.  These are the characteristics of the cybernetic social network.

First performed in 2007, Bogost and McCarthey are planning a reprise this year.  Bogost, best known for his innovative book of video game criticism, Unit Operations, has a website that is full of good stuff.

Social networking and the Iranian “revolution”

June 17th, 2009 by christo

iranian protestor

There have been lots of reports about the role of social networking technologies during the Iranian election dispute. Several have spoken about deliberate jamming/blocking of Facebook and Twitter by the Iranian authorities to prevent the opposition (mostly educated and urban) from organising.  Three small details noted by The Washington Post throw some new light on the story:
1. The US State Department requested that Twitter delay routine maintenance, scheduled over the time of the Iranian elections, until after the voting process had ended. The Obama administration made unprecedented use of social networking during the 2008 Presidential election; so it’s not surprising that they should have anticipated the use of social networking in other parts of the world.
2. Twitter does not have a Farsi interface; so the social network was necessarily restricted to the English-speaking elite. Most of the Twitter communications reported so far have, in fact, been messages to Iranians living in the outside world. How much internal communication is going on through Twitter (and Facebook) remains a mystery; but the Post also has an intriguing claim, also from within the US State Department,  that Iran’s Supreme Leader, Ayatollah Ali Khamenei also tweeted!
3. Twitter, because it works with SMS has "a resiliency that isn’t shared by other online-only sites, such as Facebook".  So it may not have been possible for the Iranian government to have silenced the tweating in the way that China seems to have blocked Yahoo and Wikipedia.

 

PS4VJ - VJ homebrew style on the PS2

June 2nd, 2009 by Pippa
Although it was already posted in August last year, I only came across this post by Peter Kirn on Create Digital Motion recently, and thought I would share what I think is a fabulous homebrew VJ system.

London-based, French-born VJ and artist Pikilipita doesn’t touch laptops. He shows up at live visual gigs toting game systems. Having built mobile projects for the Game Boy Advanced and Linux-based GamePark GP2X, he’s now got a new machine: a Barbie-pink PlayStation 2.

Novelty this may be, but don’t think that PS24VJ can’t hack it as a real VJ app, allowing you to leave the laptop at home:

  • Plays footages compressed with the Kouky video codec v16
  • Supports two video layers
  • Supports alpha channel
  • Special effects and filters
  • PAL video out signal

And because it supports up to two PlayStation controller inputs, two people can play at once. (One of the big problems with computers, I think, is that they’re entirely restricted to single-user metaphors.) Each VJ controls one video layer at a time.

Novelty perhaps, but who wouldn’t want to VJ using a pink PS2? Read the full post here