March 8th, 2010 by christo
ELEV(I)ATE is an interactive performance installation by choreographer/performer Athena Mazarakis and digital artist, Tegan Bristow. It was staged in the foyer of the Market Theatre, New Town, Johannesburg as part of the Johannesburg Dance Umbrella 2010 programme. As a performer working within an interactive installation designed by Bristow, Mazarakis invited passers-by to participate in a dance lift, "the currency of exchange" within each meeting. Mazarakis’ skill as a comic performer was evident in her spontaneous interactions between a large variety of participants; while the different elements of Bristow’s interactive media refracted and reflected the encounter through a plethora of images ranging from animated information graphics to disco lights & live video. The results of the lifts were often deeply felt, even spiritual in effect, with Mazarkis’s partners frequently overwhelmed by the emotions released through the "uplifting" experience.
[Watch a slide show of images from the 04 March performance by Christo Doherty.]
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February 26th, 2010 by christo
"It’s been a long journey since the pseudo-pod in the Abyss in 1989 marked a major milestone for computer generated visual effects and the start of the onslaught of [digital] technology into the movie industry. The production of Avatar gives us another picture of how technology is liberating creativity. Directors can direct computer-generated and live actors in real time, in digital environments. The performance of actors can be augmented and/or transported to virtual characters. The availability of high quality, high fidelity prototypes for movies can help creative teams share their vision and have a holistic view of their work." - a useful summary of the technical innovations pioneered by Autodesk for James Cameron’s production of Avatar.

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February 24th, 2010 by christo

The New Yorker is running a weekly online exhibition of iPhone sketches. Most recently a digital brush-painting by Jorge Colombo.
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January 28th, 2010 by christo
Steve Jobs has finally ended the intense speculation about Apple’s plans for a tablet-type computing device. Yesterday, he presented the iPad to the usual rapturous audience in San Francisco, announcing that "It’s like holding the Internet in your hands":

However, it was not just the Apple faithful and tech geeks who are looking to the new device as a fast track into the digital future. Many traditional print industries, battered by by declining sales and free distribution models, such as newspapers and book publishers, are hoping that the iPad will open up new possibilities for them; in the way that the iPod revolutionised the business models available to the music industry. The device also seems to hold out tantalising possibilities for integration between traditional reading practices, gaming, and rich media.
"The iPad is Apple’s attempt to revolutionise the way that we use the internet, play computer games and read electronic books. Apple hopes that the portable computer, with its multi-touch screen and user-friendly software, will also transform the way we listen to music and watch television.
A touchscreen gadget bigger than an iPhone will provide a wider playing field for gamers and offer game developers a new way to push the limits of their creativity. “Any game where there are multiple moving objects on the screen, or a map to explore, will be a better experience,” said Ian Lynch Smith, the president of Freeverse, a developer of iPhone and Mac games." ( From The Times‘ coverage of the launch.)
But perhaps the most revolutionary development on the iPad was that it uses an enhanced version of the the iPhone OS. As Farhad Manjoo noted in Slate:
This itself is a breakthrough. Apple is departing from—if not dispensing with—the multi-window, desktop metaphor that it invented with the Mac and that has come to dominate PCs via Windows.
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January 26th, 2010 by Tegan

The Hacksaws is a brand new art and technology support (hack) group that is being set up to run out of the Digital Arts Division of the Wits School of Arts in Johannesburg.
This group is for proffesionals interested in or do work across the fields of art and technology. The group will be a place to propose new projects, share and learn skills, make art and generally play with technology as a creative medium. We hope that this group will regularly produce artworks, projects and exhibitions.
The group is informal and is not directly affiliated with the University, but the Digital Arts Division is commited to supporting the group wherever possible.
If you are interested in joining this group - please contact me directly at tegan dot bristow @ wits dot ac dot za.
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