We are now taking applications to the postgraduate programs at the Wits School of Arts. Please visit our website for more information.


We are now taking applications to the postgraduate programs at the Wits School of Arts. Please visit our website for more information.



One of the most consistently interesting artists currently working in Joburg must be Nadine Hutton. Perhaps from her years working as a professional photo journalist (mostly for the Mail & Guardian) she seems to have been rooted in the tradition of documentary photography. However the trajectory of her art of the last few years has seen her pushing herself beyond the limitations of this tradition. Even so, the two works that she exhibited at the Bag Factory’s 20 year show were a new departure, even for her. Her latest works could be described as satirical techo-sculptures. An "engraved magic bullet vibrator" which jolted around a mirrored surface was entitled It’s not the size . . . It’s the motion of the Gautrain. A modified arcade console video game which allowed participants to gun down rows of pixelated zulu maidens was entitled Skirt Invaders and cheekily referenced the President’s polygamous/promiscuous proclivities. The console was being sold as a limited edition of 3 machines "+ Full MAME Multiple Arcade Machine Emulation" of approximately 5,500 games. The editions were going for R19000 each; while a limited 1st edition (of 100) signed CD copies of the game Win/Mac was on sale for R350 a throw. What was particularly impressive is that she did the reprogramming of the original Space Invaders herself, using the manual.

photos by christo doherty


Wits University have rightly been treating the discovery of “the Rosetta Stone of paleoanthropology” by Prof Lee Berger, as a pubic relations coup. The discovery, as just about everybody must know, consists of an unsually well preserved set of fossilised remains of a 11-13 year old male hominid together with an older (25 – 30 years) female. It is hypothosized the the pair fell to their deaths searching for water in the vicinity of a sinkhole in the Cradle of Humankind area more than 1.9 million years ago. The significance of the discovery is massive, because it suggests a new line of ancestry for human beings, the Australopithecus sediba. But the publicity has been spurred by the remarkable conincidence that the fossilised boy was actually discovered by Berger’s 9 year old son, Matthew. An offshoot of the publicity campaign has been a competition to suggest a name for the fossil boy. Today the winning choice was announced. The boy will be known as Karabo, which means "answer" in Setswana thanks to an entry by Omphemetse Keepile, a 17 year old pupil at St. Mary’s School in Waverly, Johannesburg. Interestingly the "vast majority" of the entries to the competition were sent via Mxit.

Physical Computing Workshop for Artists and Designers 
Artist and Creative Developer Daniel Hirshmann
3 Part Workshop: 1 - 6 June 2010
Digital Arts, Wits University, Johannesburg.
“Physical Computing is an approach to design and making that positions the human at the centre of the interaction. Over the course of 3 sessions, participants will learn how to gather sensor information from the real world and use it to effect change within their own projects. We will cover introductions to communication, LED control, programming, motors, and various electronic components - while remaining aware of their creative applications in the real world.”
More of Hirshmann’s work here http://www.plankman.com
Please note:
This workshop will be extended into an open creative workgroup with local creative people and the Hacksaws Group. So if you can, book off two weekends.

This workshop is being hosted by the Hacksaws Art and Technology Support Group and the Digital Arts Division of the WSOA.
If you are interested in attending please contact me at tegan (dot) bristow (at) gmail (dot) com.

What is it about these robot inventors? Are they peculiar to rural backwaters?
Described as a "Chinese tinkerer turned robot maker" by NBC, for the last 20 years Wu Yu Lu has been neglecting his farming and collecting what his wife scornfully calls "bits and pieces" – scraps of recycled metal, wire, screws, nails, and secondhand batteries in order to build robots, lots and lots of robots.
