Archive for September, 2008

Open Lecture – Gif

September 21st, 2008 by Tegan

This Tuesday the 23rd of September AVANT CAR GUARD will be giving an open lecture in the Digital Arts Seminar Room. This lecture forms part of a course on Internet Art and Online and Networked Culture offered at the Digital Arts Division of the Wits School of Arts.

Every year we invite local artists to present and discuss work made for online and networked platforms. This year AVANT CAR GUARD will be speaking about the animated gifs (among other things) made for the Artthrob dairy over the past couple of months.

The title of this lecture Gif is great play on the Afrikaans term.

To find the Digital Arts Building please visit this map. You will find us between the WSOA main building and the Nunnery.

Ars Electronica (4) openFrameworks & More

September 19th, 2008 by Tegan

I think this is my last post for Ars. (^__^). Apart from meeting with the Leonardo Education Form which the Digital Arts Division of the WSOA is now part of my other meeting, arranged before leaving, was with Zach Lieberman co-developer of openFrameworks.

openFrameworks is an intuitive computer vision and interactive digital media development platform. It is an open source c++ library to make programming in c++ reasonably accessible and easy.  I have not used it but am looking forward to trying my hand at it and getting my students busy with it too. Right now no full version is available but Zach and his team have started presenting workshops across the globe and we hope to have them in Johannesburg by mid-next year. If you are based in SA and are interested in this workshop please let me (Tegan) know as soon as possible.

Visiting the openFrameworks website – www.openframeworks.cc you will be able to get an overview of what is possible at with openFrameworks. The OF team (and many more helpers) had set up a OF Lab in the the Ars Foyer in the Brucknerhaus. Here the team built a triple story shell structure to house the OF Lab. The ground floor of this structure acted as the reception so to speak. Here visitors could put a list of words together that would act as an order to the OF Lab team above. Once the order was received – through a hole in the roof – the team would make an interactive piece that somehow represented the order. The OF ground floor also acted as a show and tell space – were the people who had made an order were invited to have a look at it, as well as the public. The 1st and 2nd floors housed the host of volunteer programmers that had joined the team. It looked like alot of fun.


A visitor putting in an ‘order’ at the OF Lab


Visitors in the OF show and tell section


1st floor for developers in the OF Lab – Ars Foyer

Downstairs from the OF Lab in the Ars Foyer were a number of other interactive projects and presentation of the websites that had been selected for the Prix Ars Electronica. A little piece that I really enjoyed as Godmode by Tim Knapen. Here one could draw a silly picture and ‘copy’ it in the Godmode photocopy machine. Once ‘copied’ it became animated and joined the host of other little creatures ‘copied’ before on the roof above the copy machine – all perfectly animated dancing and moving about. There is nothing more satisfying in this piece that seeing how the Godmode will choose to make your silly creature animate.



Draw, copy and make Alive with Godmode.

Ars Electronica (3) Hybrid Ego and Interface Culture (Art on the Move)

September 14th, 2008 by Tegan

Before I get to carried away by the events of the Upgrade! Gathering now in Skopje Macedonia I’m quickly going to add the last two installments of my Ars Electronica post.

Seeing that I represent and teach at the Digital Arts Division of the Wits School of Arts I think it only appropriate that I post some of the interesting student work I saw at Ars. There were two main student exhibitions – these were linked as they were a joint venture so to speak between the Arts University at Linz (run by Dr. Christa Sommerer) and the University of Tokyo’s graduate schools of Science & Technology and Engineering).  The two exhibitions were named Interface Culture – Art on the Move and Hybrid Ego respectively.

I will begin with some of the Tokyo University works, there were really very technical and many of them centered around VR, Robotics technology and Haptics – please visit the link for more of the works – they really deserve some attention.


My most favorite because it is so simple, participatory and because the artist is really into chance phenomena and how the public engage with it, is Ephemeral Melody basically a music machine that when wound produces bubbles that them float towards a set of copper robs that then produce the sounds digitally after the bubbles make a connection with the rods.

The piece positioned next to Ephemeral Melody was Virtual Asukakyo which fits in with the other more technical works. I found this piece so “Japanese” because it is ever so eccentric but very clever and all about site-seeing which is really a Japanese part time. In the small court yard in front of the gallery one can wear the VR glasses and see a virtual version of the oldest temple in Japan. This piece is meant to be located in Asukakyo and thus allows visitors to see a perfect virtual version of the temple projected on its original site. But here in Linz it is squeezed into this courtyard and is quiet eerie like a ghost temple almost. What is very clever about the piece is that is uses a realtime light sensors to give the virtual temple proper lighting and shadows.

There was a fare amount of robotics orientated work: above on the left is Kotaro a very advanced humanoid robot with its interior structure (bones) based on the human skeleton. Kotaro also has a ‘muscular system developed at the school. On the right is Robot Dancer which has a recognition system and learns from human behavior.

I was also very intrigued by the Haptic orientated work. Above is Gravity Grabber
This uses a tension system around the fingers that allows you to feel the wait of virtual or remote objects.
It works on the principal that heavy objects have weight due to gravity that impose friction in diferent directions on the fingers – of course objects that are two heavy to be held in the hand can not be sensed but it is very sensitive otherwise.

I really loved Plushie (above) more becuase it would have been a really great help to have for the work Lisa Jaffe and I made for the Fashion Week in Johannesburg this year.  It is a software program that allows you to easily design 3d objects for sewing.

   

My last two favorites from the Hybrid Ego: Tablescape Plus on the left is such a sweet funny table game that lets you move the objects around and the projected characters move with them and you can make them interact or walk behind each other – the sound effects were really funny. boxedEgo shown above on the right is one of alot of really great interactive objects on the show. This one is really simple and effective – basically if you look into the box and speak to yourself you will soon a mini version of yourself in the box talking to yourself – really funny.  There are so many more great pieces but I just don’t have the time – so please check the link.

Interface Culture showed a small groups of works that really looked at public space participation and the objects or games associated with them. I will highlight my favorite but a visit to the website is worthwhile.

Taiknam Hat on the left was labeled under ‘Environmental Interactions’ this lovely kenetic hat reacts to radio wave signals in the surrounding environment. On the right and in the middle is Episureo – drift together these are the swimming costumes (though you can use your own) designed to hold the module that picks up your motion in a large public swimming pool that has a projected graphic on the roof and allows you to manipulate and play with it and other people through swimming.

There are a great many very good works so please have a look at the online information if you are interested – these are just a small selection even of my favorites.

Photo – Skopje

September 12th, 2008 by Tegan

Upgrade! International Gathering Skopje Macedonia

September 12th, 2008 by Tegan

This is really just an announcement to begin with. I’m currently attending the Upgrade! International gathering being held in the city of Skopje, Macedonia. Upgrade is basically an international community / network of people who are either practicing or playing an organisational role in new media and digital arts. Most European and major American cities are represented. Sao Paulo and Johannesburg (us) representing the Southern Hemisphere. Dakar will soon be joining the network too. The network was started a couple of years ago in New York by Yael Karnek who is closely associated with Eyebeam New York (who represent the New York node).

The Skopje gathering started yesterday and is proving to be alot of fun and beneficial for all involved particularly the citizens of Skopje who are participating in the Upgrade exhibition, lecture and workshop series.

So keep reading for updates from Upgrade! Skopje and the Line Organisation that has organised the gathering and look out for Upgrade! Johannesburg events and meetings in the future. I hope to add a summery of events once the gathering has dispersed.