Posts Tagged ‘internet’

Wits MA Students’ Network Projects 2011

September 27th, 2011 by alex

The Wits Digital Arts Interactive Media Masters class, lecturered by Anton Coetze, Tegan Bristow & Christo Doherty, were given the task to develop and install a working networked object or sensor based networked system.

This was to be done in consultation with a "client" of a local shop or publically used environment – where the project would be installed and run.

Each project found new ideas to explore and interesting solutions to certain problems, and interacting with a "client", allowed for growth in the understanding of how to handle work situations and relationships. Providing a new way to approach proposals, a more intense explanation of the proposal or project, and working within the boundries (budget, needs, desires, aesthetics) of an outside source.

The students presented the prototypes of their projects on 22 Sept in the Electronics Lab at Wits Digital Arts.

Christopher Stead

Photograph by: Christo Doherty

"The Blind PiG Membership Program"

The project was created with the intention of increasing the customer traffic at the Wits Postgraduate Club by expanding on their current Membership program.  The program was designed to work with an RFID scanner and make use of the RFID already incorporated within member's student cards.  For prototype purposes I have used RFID tags which work on the same system.  Students are required to present their membership sticker when placing an order.  The new system simply requires the PiG workers to scan the card before the order.  A tweet is then sent with a message to the PiG's wall stating something like:  "Christopher Stead is at the PiG."  The message will be the same for each member aside from the name changing.  Now anyone who follows the PiG's twitter page will get this message, hopefully encouraging others to join the member if they are his/her friends and order something for themselves.

 

Jessica Foli

 

 

"Flex Sensors for  Performance Artist"

My aim was to create an interactive performance costume using flex sensors. Since flex sensors are often used to control audio output in performances I wanted to vary this a bit.
So for my project flex sensors were used to produce an output which was graphed visually using Processing Programming language. For information to be transmitted and received wirelessly; Xbee radio modules allow for freedom of movement.

Jans de Jager

This project uses a simple television monitor to display textual information retrieved from a hosted location. In this instance, the monitor would scrape a certain webpage to recieve & display information about the current weather. This could be expanded to sport, news, bus routes or times etc. adding a user interface via a Joystick. An Arduino UNO development board and Ethernet shield is used. This is a cost effective easy way to provide information to those without the finance or the technology to access the information themselves.

Pauline Theart

Photograph by: Christo Doherty

"The James Kitching Gallery: Wireless Network project: Now and Then."

The installation is linked to the physical activation of the James Kitching Gallery and serves simultaneously as a marketing activation tool.When visitors turn the switch on the display case called 'Now and Then' in the gallery, they affect an images on a free standing HTML web page. With every interaction a piece of a photograph appears in squire format, resulting in a full image of a dinosaur on the html page

 

Carly Whitaker, Lisa Van Vliet & Alexandra Jones

"Guillotine and Social Media"

For this project we created a three phased interactive system which will facilitate marketing and brand development for the clothing brand Guillotine, designed by Lisa Jaffe. 

As a group our concept lay at the basis that social networking can be used as an effective marketing technique. I am interested in the possibility that Social Networks can create relationships between Brands and consumers, and draw people to have an emotional connection with the Brand.

Phase One: (Mainly Lisa Van Vliet)

Wanting to take a "green" approach to this project, Lisa noticed that most shops keep all their lights on, all of the time. So, in order to be more conscious to make a "green" effort, an Infrared sensor, that senses human presence, would trigger the shop lights to come on, in a delayed sequence, to display shop garments. Lights also display a QR code, which when scanned leads the participant to the Guillotine Facebook Page.

 

Phase Two: (Mainly Carly Whitaker)

This phase of the system uses a QR Code to link the user or passerby to the Facebook Fan Page for Guillotine. Once on the page, the customer is enticed to press 'like', once liking a physical action corresponds to this digital action. There is a concept garment in the store window which with specifically designed mechanism, enables the top to move transforming and revealing a new garment underneath.

Phase Three: (Mainly Alexandra Jones)

A question box is to be present in the change room of Guillotine's new shop. This question box has a seasonal question, that may be answered by the individual participant by pressing the button that the participant feels is their personal answer.The respective answer posts on Twitter, with how many people have answered in the same manner. This will be linked to the Guillotine Facebook Page & upcoming Guillotine Website. Connecting and engaging existing customers.

 

African’s Internet Connectivity starts to grow . . .

September 30th, 2010 by christo

It’s not quite Scandinavian  connectivity yet; but the last twelve months have seen dramatic increases in the bandwidth available across Africa.  This is largely due to the installation of several undersea cables landing on both the East and West coasts of Africa:

Four cables: Seacom, Low Indian Ocean Network (Lion), The East African Marine System (Teams), and Glo-1 were launched in   2009,       while 2010 has seen the launch of Main One and Eassy.  In total, these new cables have added a theoretical ultimate 7.8Tbps of bandwidth capacity and this is set to revolutionise the Internet markets in the continent. The benefits of this new development, which brings a suddenly competitive bandwidth market, have started to emerge, with wholesale prices for Internet bandwidth coming down by as much as 90% in some regions.  Gradually, these savings will be passed on to the consumer, as is the case in SA where retail Internet subscribers are now getting more bandwidth for the same price levels.  (IT Web Market Monitor)

How to write for the Web

June 25th, 2008 by christo

Slate has been running some excellent "how-to" articles on the most effective ways of writing for the Web.  Senior Editor, Michael Agger, has a  concise and somewhat tongue-in-cheek demonstration of  "readable"  writing techniques using the theory of  Web usability expert  Jakob Nielsen.  While Editor at Large, Jack Shafer,  extoles  the superb meditation by Caleb Crain entitled  How is the internet changing literary style?  Like Shafer, I have to admit, that after reading Crain’s essay, "I’ll never read the Web the same again."

The consequences of these changes in writing  (and our habits of "information retrieval" ) are explored by  Nicholas Carr in his Atlantic  essay, Is Google Making Us Stupid?

Over the past few years I’ve had an uncomfortable sense that someone, or something, has been tinkering with my brain, remapping the neural circuitry, reprogramming the memory. My mind isn’t going—so far as I can tell—but it’s changing. I’m not thinking the way I used to think. I can feel it most strongly when I’m reading.

The Atlantic, of course, was the magazine that published the seminal essay by Vannevar Bush in 1945 that anticipated the development of information technology, As We May Think.  It’s an essay that is worth re-reading in the context of these discussions.  Although the Memex, the mechanical contraption at the centre of the essay was not to be, Bush anticipates many of the most significant features of the new  technologised mental landscape. For instance he could have been imagining Google when he writes:

Wholly new forms of encyclopedias will appear, ready made with a mesh of associative trails running through them, ready to be dropped into the memex and there amplified.

But what is most striking about re-reading the essay is Bush’s urgent conviction that without these information technologies we will be swamped in the vast amount of data that is generated by new forms of science and industry. It’s perhaps worth bearing this in mind when we consider the negative implications of the new orders of thinking and recall.