Posts Tagged ‘south africa’

Constructed Photography discussed in WSOA Research Seminar

September 20th, 2011 by christo

Evidence of much research activity in Wits Digital Arts.  In the week following Hanli Geyser's paper on video games,  Prof Christo Doherty presented a paper on "Constructed Photography – The South African Situation."   The paper was a critical response to the recent exhibition of constructed photography curated by Heidi Erdmann and Jacob Lebeko entitled "Construct: Beyond the Documentary Photograph".   Doherty explored the genealogies of constructed photography, tracing them back to the "Pictorialist" movement in the late 19th Century and the re-emergence of the impulse in Europe and the USA in the 1980s.  The respondent to the paper was Rory Bester, from the Art History division at WSOA.

A constructed photographic image by Lien Botha from the Construct exhibition.

 

Out of the Body – preliminary technical trials

October 26th, 2010 by christo

“Out of the Body” is an exciting new collaboration between students studying Interactive Media and Music students studying Composition in The Wits School of Arts. Under the direction of Composition Lecturer, Jonathan Crossley, the music students have used their bodies as sources of sound samples – recording physical processes, even swallowing miniature microphones – which they have then worked into electronic compositions. At the same time, the Interactive Media students, working with Lecturer Tegan Bristow, have designed interfaces which allow the compositions to be performed in unexpected and innovative ways. The works will be publically performed on Sunday 7 November at 21:00 in the Wits Amphitheatre. On Monday 26 October, the two groups of students got together to test drive their collaborations. Two of the seven collaborative projects were captured on camera by Christo Doherty

Music student, Zarchia Zacheus, uses the contortions of her mouth to shape the performance of her electronic composition, using a camera-based motion detection system designed by Interactive Media postgrad Michael de Jager.

Composer Nicolas Williams test drives the “Drawdio”: a pencil-based music controller, built by Michael de Jager.

A close-up of the back-end of the “Drawdio”.

Techno-sculpture at the new Bag Factory show

July 22nd, 2010 by christo

One of the most consistently interesting artists currently working in Joburg must be Nadine Hutton. Perhaps from her years working as a professional photo journalist (mostly for the Mail & Guardian) she seems to have been rooted in the tradition of documentary photography.  However the trajectory of her art of the last few years has seen her pushing herself beyond the limitations of this tradition.  Even so, the two works that she exhibited at the Bag Factory’s 20 year show were a new departure, even for her.    Her latest works could be described as satirical techo-sculptures. An "engraved magic bullet vibrator" which jolted around a mirrored surface was entitled It’s not the size . . . It’s the motion of the Gautrain.  A modified arcade console video game which allowed participants to gun down rows of  pixelated zulu maidens was entitled Skirt Invaders and cheekily referenced the President’s polygamous/promiscuous proclivities. The console was being sold as a limited edition of 3 machines "+ Full MAME Multiple Arcade Machine Emulation" of approximately 5,500 games.  The editions were going for R19000 each; while a limited 1st edition (of 100) signed CD copies of the game  Win/Mac was on sale for R350 a throw.  What was particularly impressive is that she did the reprogramming of the original Space Invaders herself, using the manual.


photos by christo doherty

Results of the Performance Art Workshop at The Bag Factory

August 1st, 2008 by christo

Johan Thom at Bag Factory
Johan Thom’s performance artwork as presented at Rites of Fealty/Rites of Passage

‘Rites of Fealty/ Rites of Passage’,  was a one-night exhibition of new performance artworks by a group of emerging South African artists.  Held on 29 July at The Bag Factory in Fordsburg, the exhibition followed an intensive 10-day workshop in performance art presented by Johan Thom. The workshop was structured as a non-hierarchal laboratory, with each of the artists selected for participation already having established a visible presence in the South African cultural sphere. The participating artists were Ismail Farouk, Anthea Moys, Kemang Wa Lehulere and Murray Turpin who all share in a multi-disciplinary approach to artistic expression, freely mixing elements of fields as far as urban geography, digital sound sampling, video, public performance, dance and theatre into their oeuvres.   (Text adapted from  The Bag Factory  press release.)

Johan Thom in performance at The Bagfactory, Fordsburg

Bronwyn Lace in performance at The Bag Factory

Bronwyn Lace in performance at The Bag Factory.

Sidewalk Reservation in performance at The Bagfactory

Sidewalk Reservation in performance at The Bag Factory.

All photos by Christo Doherty

Snack on bite-sized chunks of literature using your cellphone

July 8th, 2008 by christo

Snack-o-tainment, is what they call it in the the USA. Culture on the go,  bite-sized chunks of diversion which consumers can gobble down using their iPods or cellphones.  In Japan, perhaps because of their respect for miniature forms (think Haiku), where  a reduction in size is not assumed to be a dumbing-down, they are less condescending towards packaged bits of culture. Although soap opera series made for mobile are hugely popular in Japan, the NTT DoCoMo mobile literature site, Maho i-Land, reportedly has six million members, and carries more than a million mobile novels.

Novel Idea Mobile Literature Logo

Now  Mobfest, a South African company  dedicated to mobile media, has boldly launched  an initiative to put freshly written novels in daily "textisodes" onto the screens of local cellphone users.  From the  7th of July, readers simply have to register via the Novel Idea site,  or simply SMS the word NOVEL to 33879,  and will then receive daily episodes of the story which they have selected. A real strength of the project seems to be that they have signed up six impressive local authors, who have written tales specially crafted for the mobile medium.  The authors who have contributed work to the first round of mobile literature are:

Diane Awerbuck (award-winning author of Gardening at Night),
Lauren Beukes (author of hot new futuristic novel Moxyland),
Richard de Nooy (Six Fang Marks and a Tetanus Shot),
Robyn Goss (And So Say All of Us…),
 Sarah Lotz (Pompidou Posse),
Henrietta Rose-Innes (The Rock Alphabet),
Stephan Simm (aka “Miss Kwa Kwa”),
Zukiswa Wanner (The Madams),
Sam Wilson (Urbo).

Mobfest are also admirably upfront about all the costs to the user of the service.  The registration process SMS costs R1.50 and the only subsequent charges are those added by the user’s network for data services. This might, however, be the achilles heel of the South African service.  The local networks obstinately persist in treating data as a luxury product for high end (usually business) users.  By comparison, Japanese operators such as NTT DoCoMo, switched to flat rate some years ago.  The effect of this rate reduction on the Maho i-Land mobile literature site was very significant with a huge leap in membership and the number of novels posted.

Strength to Mobfest and their new initiative.