Posts Tagged ‘south african art’

Wits MA Students’ Network Projects 2011

September 27th, 2011 by alex

The Wits Digital Arts Interactive Media Masters class, lecturered by Anton Coetze, Tegan Bristow & Christo Doherty, were given the task to develop and install a working networked object or sensor based networked system.

This was to be done in consultation with a "client" of a local shop or publically used environment – where the project would be installed and run.

Each project found new ideas to explore and interesting solutions to certain problems, and interacting with a "client", allowed for growth in the understanding of how to handle work situations and relationships. Providing a new way to approach proposals, a more intense explanation of the proposal or project, and working within the boundries (budget, needs, desires, aesthetics) of an outside source.

The students presented the prototypes of their projects on 22 Sept in the Electronics Lab at Wits Digital Arts.

Christopher Stead

Photograph by: Christo Doherty

"The Blind PiG Membership Program"

The project was created with the intention of increasing the customer traffic at the Wits Postgraduate Club by expanding on their current Membership program.  The program was designed to work with an RFID scanner and make use of the RFID already incorporated within member's student cards.  For prototype purposes I have used RFID tags which work on the same system.  Students are required to present their membership sticker when placing an order.  The new system simply requires the PiG workers to scan the card before the order.  A tweet is then sent with a message to the PiG's wall stating something like:  "Christopher Stead is at the PiG."  The message will be the same for each member aside from the name changing.  Now anyone who follows the PiG's twitter page will get this message, hopefully encouraging others to join the member if they are his/her friends and order something for themselves.

 

Jessica Foli

 

 

"Flex Sensors for  Performance Artist"

My aim was to create an interactive performance costume using flex sensors. Since flex sensors are often used to control audio output in performances I wanted to vary this a bit.
So for my project flex sensors were used to produce an output which was graphed visually using Processing Programming language. For information to be transmitted and received wirelessly; Xbee radio modules allow for freedom of movement.

Jans de Jager

This project uses a simple television monitor to display textual information retrieved from a hosted location. In this instance, the monitor would scrape a certain webpage to recieve & display information about the current weather. This could be expanded to sport, news, bus routes or times etc. adding a user interface via a Joystick. An Arduino UNO development board and Ethernet shield is used. This is a cost effective easy way to provide information to those without the finance or the technology to access the information themselves.

Pauline Theart

Photograph by: Christo Doherty

"The James Kitching Gallery: Wireless Network project: Now and Then."

The installation is linked to the physical activation of the James Kitching Gallery and serves simultaneously as a marketing activation tool.When visitors turn the switch on the display case called 'Now and Then' in the gallery, they affect an images on a free standing HTML web page. With every interaction a piece of a photograph appears in squire format, resulting in a full image of a dinosaur on the html page

 

Carly Whitaker, Lisa Van Vliet & Alexandra Jones

"Guillotine and Social Media"

For this project we created a three phased interactive system which will facilitate marketing and brand development for the clothing brand Guillotine, designed by Lisa Jaffe. 

As a group our concept lay at the basis that social networking can be used as an effective marketing technique. I am interested in the possibility that Social Networks can create relationships between Brands and consumers, and draw people to have an emotional connection with the Brand.

Phase One: (Mainly Lisa Van Vliet)

Wanting to take a "green" approach to this project, Lisa noticed that most shops keep all their lights on, all of the time. So, in order to be more conscious to make a "green" effort, an Infrared sensor, that senses human presence, would trigger the shop lights to come on, in a delayed sequence, to display shop garments. Lights also display a QR code, which when scanned leads the participant to the Guillotine Facebook Page.

 

Phase Two: (Mainly Carly Whitaker)

This phase of the system uses a QR Code to link the user or passerby to the Facebook Fan Page for Guillotine. Once on the page, the customer is enticed to press 'like', once liking a physical action corresponds to this digital action. There is a concept garment in the store window which with specifically designed mechanism, enables the top to move transforming and revealing a new garment underneath.

Phase Three: (Mainly Alexandra Jones)

A question box is to be present in the change room of Guillotine's new shop. This question box has a seasonal question, that may be answered by the individual participant by pressing the button that the participant feels is their personal answer.The respective answer posts on Twitter, with how many people have answered in the same manner. This will be linked to the Guillotine Facebook Page & upcoming Guillotine Website. Connecting and engaging existing customers.

 

Constructed Photography discussed in WSOA Research Seminar

September 20th, 2011 by christo

Evidence of much research activity in Wits Digital Arts.  In the week following Hanli Geyser's paper on video games,  Prof Christo Doherty presented a paper on "Constructed Photography – The South African Situation."   The paper was a critical response to the recent exhibition of constructed photography curated by Heidi Erdmann and Jacob Lebeko entitled "Construct: Beyond the Documentary Photograph".   Doherty explored the genealogies of constructed photography, tracing them back to the "Pictorialist" movement in the late 19th Century and the re-emergence of the impulse in Europe and the USA in the 1980s.  The respondent to the paper was Rory Bester, from the Art History division at WSOA.

A constructed photographic image by Lien Botha from the Construct exhibition.

 

From the days of vinyl – radiogram

September 3rd, 2008 by christo

installation by Kay Hassan at JAG

From an installation by Kay Hassan.  Part of his mid-career retrospective exhibition at the Johannesburg Art Gallery. Photo by Christo Doherty

Spier performance art at the Johannesburg Art Gallery – while Joburg burns

May 20th, 2008 by christo

Unsaid -  performance art at JAG

Unsaid - confrontation
Kai Lossgo and Anthea Moys in the performance art piece, Unsaid, ath the Johannesburg Art Gallery, 18 May 2008.

It was a rather odd experience to watch performance art performed at the Johannesburg Art Gallery on a balmy Sunday afternoon with the occasional burst of gunfire in the background as ethic violence raged around parts of Joburg.  Up from Cape Town were the winner and finalists in the Spier Contemporary Art Awards  2007 – the performance category which featured prominently on this year’s awards.  Various pieces have been staged around Wits University School of Arts and outside the Sandton Convention Centre.  I didn’t catch any of those but I did see two pieces on the last day at the JAG.

The first up was Unsaid by Kai Lossgot and Anthea Moys. In a short piece  barely four minutes long -  a domestic slapstick tinged with pathos – the two performers faced each other across the lip of the fountain. While water poured down the abyss below them; they spat streams of water at each other,  acting out the universal stages of a relationship, balanced on the edge of the fountain, the threat of break up and failure.  Anthea Moys in her grandmother’s vivid red dress; Kai Lossgot more enigmatic in a plain white shirt and grey pants.  They leaned away from each other and towards each other, held together in a force-field of love, or habit,  before exploding into confrontation and spitting.

Unsaid - Alienation

The  afternoon featured the overall winner of the Spier Contemporary Art Award in 2007: Peter van Heerden’s Flowers for my Flesh, a perverse  interpretation of the  fairy tale in which van Heerden, naked except for pair of veldskoens and a floral kappie, acts the part of Sleeping Beauty  in a kind of bugger drag. He follows a trail of flowers across the Fountain and through the Gallery to his Prince Charming. His prince turns out to be a  paunchy lout  in a ragged old South Africa Tshirt who beats him before returning sulkily to his braai while cheesy Afrikaans pop music blares around the Gallery courtyard.

Flowers -  sleeping couch

Flowers - awakes after a kiss

Flowers - curves

Flowers - run around

The sight of this beefy Afrikaaner man clambering around the Gallery fountain in his white kappie and iron harness provoked a wave of interest amongst the people relaxing in the park behind the green pallisade fence  that separates the space of art from the space of public recreation. Within a short time the entire population of the park was pressing against the fence to catch of glimpse of  van Heerden splashing through the water in search of his true love.

Flowers - into the Gallery

.Flowers - True Love

Van Heerden’s performance was acted out with great gusto and physical risk-taking, from the provocation of his nakedness to his scrambling up the face of the fountain and his rope climbing; but it felt that he was performing the last rites of a cultural complaint whose time has passed. Exploding the ethnic pieties, the stranglehold of patriarchy and sentimental romance, in Afrikaaner culture,  no longer seems very relevant or very urgent.   There are new forms of ethnic consciousness which demand articulation. Perhaps by other artists with direct experience of these forms.  A few blocks below the Gallery in central Joburg and in other parts of the city, this new and more violent form of ethnic consciousness  seems to be emerging into the daylight of the South African psyche. Thousands of people have been displaced, while many have been attacked, injured and even killed by mobs waving pangas and singing the old songs of the struggle against Apartheid.  Somehow, the Lossgot and Moys piece, although smaller and less elaborate, by exploring the human all-too-human contradictions of relationships on the edge of precipice, seemed to speak to the reality of current life in Johannesburg.

(All the above photos by Christo Doherty -  photo albums of the performances can be viewed at Flickr )

East Rand Mobs
Photo from The Times coverage of the anti-foreign violence in Johannesburg.